Anna 1994

Director Nikita Mikhalkov documents the history of Russia from 1980 to 1991 by annually asking his daughter Anna such questions as "What do you love the most?", "What scares you the most?", "What do you want above anything" and "What do you hate the most?"

18 Frames/Second 2010

A movie about friendship, the search for an identity, the whirring of a camera, the clattering sound of a projector and the feeling of doing something right. A film showing that one can attain happiness. Just like that.

39 Pounds of Love 2005

This is the story of Ami, a man who while unable to move any part of his body, still manages to move each and every one of us, as he teaches us a part of life's intimate dance.

18 Shaolin Disciples 1975

Chuen Chan spares the life of the evil Miao Yi Tao (Chang Yi) in a duel, and Miao swears he'll regret it! Some years later, Chen Tai (Man Kong Lung) and Shuan Ching (Hsu Feng) leave home, with the task of escorting a special shipment to the capital. The cocky young Chen Tai disgraces a group of bandits, who happen to work for Miao. Miao investigates and suspects Miao's father has information about the whereabouts of Chuen Chan, also known as The Ghost Killer. This forces the father to disclose a terrible secret to his children.

The Patient In Room 18 1938

Choreographer Bobby Connolly and prolific screenwriter Crane Wilbur teamed up on the direction of Warner Bros.' The Patient in Room 18. Patric Knowles delivers a delightfully comic performance as Lance, an outwardly normal young man obsessed with detective stories. When his obsession threatens to lapse over into lunacy, Lance is sent to the hospital for a nice long rest. It isn't long before he gets mixed up in a genuine murder mystery, using his second-hand knowhow to solve the case. Up-and-coming Ann Sheridan is quite amusing as Lance's nurse and confidante, while the murderer is played by a fellow who is usually cast as the murder victim.

U2: 18 Videos 2006

U218 Videos is a music video compilation DVD by U2 from 2006, released the same day as its compilation album, U218 Singles. The compilation features their most popular videos from "New Year's Day" in 1983 to "The Saints Are Coming" in 2006. The DVD features videos from the band's two previous music video compilations, The Best of 1980–1990 and The Best of 1990–2000, as well as several videos that have never been previously released. The main section of the DVD contains 19 videos, including two videos for both "Stuck in a Moment You Can't Get Out Of" and "Walk On." The DVD also contains bonus material with two documentaries, The Making of "Vertigo" and A Story of One, as well as seven additional music videos.

Beck 18 - Flickan i jordkällaren 2006

A small girl is found dead in a deserted underground cellar. She has been dead for some time but there is fresh food for her. Who is she?

Without a Stitch 1968

When a high-school girl complains of her inability to reach sexual climax, her doctor suggests that she keep a diary of her sexual encounters. She does just that and soon finds herself caught up in a sexual merry-go-round that includes making a hardcore porno film in Sweden, an escapade with a German sadist and a lesbian encounter.

Persian Series #18 2001

Persian Series #18 is almost calligraphic in its overlays of dark (occasionally colored) glyphs backed by brilliant color motifs.

That'll Be The Day 1973

Britain, 1958. Restless at school and bored with his life, Jim leaves home to take a series of low-level jobs at a seaside amusement park, where he discovers a world of cheap sex and petty crime. But when that world comes to a shockingly brutal end, Jim returns home. As the local music scene explodes, Jim must decide between a life of adult responsibility or a new phenomenon called rock & roll.

No. 18: Mahagonny 1980

Harry Smith’s final film; an epic four-screen projection. Smith worked on this cinematic transformation of Kurt Weill and Bertolt Brecht’s opera Rise and Fall of the City of Mahagonny (1929) for over ten years and considered it his magnum opus. The film was shot from 1970 to 1972 and edited for the next eight years. The “program” of the film is meticulous, with a complex structure and order. The Weill opera is transformed into a numerological and symbolic system. Images in the film are divided into categories— portraits, animation, symbols and nature— to form the palindrome P.A.S.A.N.A.S.A.P. The film contains invaluable cameos of important avant-garde figures such as Allen Ginsberg, Patti Smith, and Jonas Mekas, intercut with installation pieces from Robert Mapplethorpe’s studio, New York City landmarks of the era, and Smith’s visionary animation.

16-18-4 2008

A day at the Tokyo Race course.

18 & 1/2 Cigarettes 2011

"18 cigarrillos y medio" (18 Cigarettes and a half) happens during a day, time that Ezequiel takes to smoke a box of cigarettes. Almost 22 years old, neither Ezequiel or his friends are having a good time. Ezequiel knows there is no way to solve his problems, at least not an easy way to solve them, but he keeps trying to find out what he reallly wants, regardless the circumstances.

18-80 Buddy 1997

Oat (Oil-Thana) is a musician, who accompanies his grandfather to an island to look for his long lost love. To their great dismay, they find that she has passed away. Oat's grandfather, when he was young, was too shy to ask out his true love, and she married another man. Due to bad weather, the two are unable to leave the island, and Oat winds up meeting Bow, who he believes to be his true love. But he suffers from the same shyness that his grandfather has. Before the storm ends, Oat must find the confidence he needs, or be doomed to wonder what could have been forever.

18 Weapons of Kung Fu 1977

Li Tai must endure terrible hardship under his sadistic Kung-fu master in order to perfect his fighting technique. The ambitious young man finally has a chance to prove himself when his old master meets his match and Li has to use the eighteen secrets of kung fu to fight the challenger.

Arabic Numeral Series 18 1982

“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set against darkness, or occasionally against white, these momentary flickers that materialize tenuously out of emptiness. But the darkness is not ‘night,’ or even simply some more abstract absence of light, but a more profound vacuum: it represents a world stripped of all the coordinates of the known, an unmeasurable absence. […] These lushly sensual, pleasurable-to-view films are also terrifying: their unpredictability, continually enacting new dramas of surprise, alternatively swamps the viewer in light and leaves him adrift in darkness.”